November 12th – 14th Weekend Box Office: Aliens and Trains and Morning Talk Shows

DreamWorks’ “Megamind” made another $30.1 million while “Unstoppable” was a repeat start for director Tony Scott at the box office.

DreamWorks’ “Megamind” made another $30.1 million while “Unstoppable” was a repeat start for director Tony Scott at the box office.

“Megamind” won big with “Due Date” and “For Colored Girls”, respectively, trailing it; elsewhere, Danny Boyle’s “127 Hours” and Doug Liman’s “Fair Game” at the box office.

“Saw 3D” snuggled nicely into the series’ niche while “The Girl Who Kicked the Hornet’s Nest” hit a franchise high at the box office.

“Paranormal Activity 2″ dominated the weekend at the box office.

$50 million dollars!!! That’s a lot of money. So what made that? The new Tom Cruise movie? Angelina Jolie doing her horrible accent again? Maybe something with one of Will Smith’s kids? Nope. Jackass 3-D. So why did a bunch of idiots doing stupid things to themselves make so much money at the box office? [...]

Paramount’s “Jackass 3D” exploded with $50 million while “Red” took a quiet second place in comparison at the weekend box office.

David Fincher’s “The Social Network” barely inched past rom-com “Life as We Know It” over the holiday weekend at the box office.

David Fincher’s “The Social Network” kicked off its run at #1 while “Let Me In” and “Case 39″ weren’t so successful at the box office.

Oliver Stone’s “Wall Street: Money Never Sleeps” took $19 million its debut weekend.

Ben Affleck’s “The Town” topped the weekend charts while “Easy A” struck a chord with the kids at the box office.

Paul W.S. Anderson’s “Resident Evil: Afterlife” won the weekend with ease at the box office.

George Clooney’s “The American” managed to beat out Danny Trejo’s “Machete” at the box office.

“Machete” won’t go around breaking any financial records, but it’s still worth checking out.

Daniel Stamm’s “The Last Exorcism” cursed away “Takers” at the box office, but just barely.

“The Expendables” shares more love with crowds while shooing away distant competitors.

Sly Stallone’s “The Expendables” and Ryan Murphy’s “Eat Pray Love” win big while Edgar Wright’s “Scott Pilgrim vs. The World” finds little affection in this weekend’s box office.

Adam McKay’s “The Other Guys” knocked “Inception” off its three-week #1 perch.

With not much competition, “Inception” burned brightly its third weekend at #1 at the box office.
A decade ago, the international box office barely even registered on the radar of studio executives. Total box office performance came almost entirely from the US box office. To obtain some form of international sales, studios tried to veer audiences toward film plots. Essentially, customers were being lured to products instead of products being tweaked [...]

Even with the release of SALT, Christopher Nolan’s INCEPTION stayed hot at the box office.

Christopher Nolan’s INCEPTION is a juggernaut in this weekend’s box office.

DESPICABLE ME topped TWILIGHT SAGA: ECLIPSE in only the latter’s second weekend out.

TWILIGHT SAGA: ECLIPSE exploded on the charts in Nick Ondras’s weekend box office score.

Rather than Grown Ups.

Woody and the gang are official rockstars.

Fearless mercenaries proved no contest to interracial karate kids in Nick Ondras’s weekend box office report.

SHREK FOREVER AFTER topped another lazy weekend at the movies in Nick Ondras’s box office report.

According to Box Office Mojo, “with an estimated 110 million tickets sold, last month was the least-attended May since 2001, and ticket sales were off 19 percent from May 2009 and nearly as much from May 2008 and 2007.” If we look at the big May 2010 film releases we see Iron Man 2, Sex [...]

SHREK FOREVER AFTER blasted away competition in a sleepy holiday weekend in Nick Ondras’s box office report.

Universal’s MACGRUBER failed to barely perform at all, while DreamWorks animated SHREK FOREVER AFTER posted a mediocre opening when closely analyzed in Nick Ondras’s weekend box office report.